Don't Be So Dreary With All Of That Transposition Theory
Jordan
Warford here, Editorial Manager for Guitar Tips.
Thanks
for taking the time to tune in to this week's edition of our Guitar
Tips Newsletter. We hope that you get the most out of it.
In
this edition:
Remember
those days of torture in band class where you never truly understood
how to transpose music into something that you liked the sound of?
In this edition we're going to polish off the second article on
the foundation of transposition.
I
must reiterate that this is a foundation article, hardly scratching
the surface on what you can really do with transposition. We're
going to show you some awesome sites that do the work for you in
addition to some theory tips for those of you who have a music background.
Here
at Guitar Tips we want everyone to be able to get something out
of our lessons, which is why it would be unfair to spend all of
the time immersed in deep music theory. We will be taking the time
to review some great software that is available to you and is easy
enough for anyone to use, no matter what musical background you
have.
Check
out our feedback booth and see what's on your fellow subscriber's
minds. Also, get a personal update on our new Guitar Forum. Check
out the latest site we have to review and see what you think of
it.
To
top off this mountain of information, our regular installment of
our Guitar Tips Feature Band is back and in action.
Let's
get right to it!
You
Don't Need A Music Degree.
What
every guitarist should hear.
How
many times have we doubted our abilities as guitarists and never
tried a piece of music because we thought we couldn't play it? Then,
one day you get that urge to see just how hard it really is only
to find that that particular piece of music wasn't as challenging
as we once thought.
The
same concept applies to transposition. Sure, there's a lot to it
and I'm not going to say that there isn't; however, every guitarist
needs to know that transposition doesn't have to seem like an impossible
feat to master.
If
you want to transpose real music notes, and you read music for guitar,
we'll guide you through some steps to get you on the right track.
For the majority of guitarists who don't have a background in music
theory, we're going to show you some alternatives that you probably
never would have thought of.
It's
one of those tools that's nice to have in your tool box when you
are playing with a band or are looking to get a professional edge.
The
computer is a guitarist's best friend.
Lets
face it, we're surrounded by technology in an ever growing economy
that seems to make our world smaller and smaller. That equates to
an awesome learning experience for guitarists who prefer not to
learn music theory.
There
are plenty of websites available that do the hard work for you.
This is great for preparing for a band practice or a jam session
with friends but remember that unless you have wireless internet
in your venue or practice area, the transposition websites that
do all of this work won't be available to you.
If
you have a laptop and like to do things on the run without the use
of internet, there's plenty of software designed for that purpose
as well. Let's start off with the websites that are quick and easy
for basic key changes.
If
you read our newsletter on composition and have just started writing
your own material, or perhaps you have been writing music for a
while, I have the one and only piece of software that you will need
for your musical needs.
Before
I even decided to write this article, I was continually on the search
for a piece of software that would allow me to insert my music,
whether it be tab or traditional notation, onto my staff and simply
press a button and let it do the work for me (yes, even I get tired
of music theory.) The problem was, I found plenty of programs that
would allow me to transpose traditional notation but never tab...
That is until I discovered Final Notepad 2005.
It's
the little brother to the famous Final Print Music series that has
become one of the most used pieces of musical notation software
in the industry. However, here's the most killer part of the deal:
It's 100% free!
What
attracted me to this software initially was the ability to transpose
long saxophone compositions into different keys with the click of
a button. If you're a sax player, you know how frustrating and time
consuming that is. Then when I discovered that this program was
made with the guitarist in mind, I nearly flipped out with excitement.
You
can input any piece of tablature you want using the numbers on your
keyboard and get professional quality tabs. Then, with a click of
a button you can transpose it to a different key and it will place
your notation to where it needs to go! For example, it will take
this example in C below:
...And
transpose it to this composition in D!
No
longer do you have to sweat it out by trial and error. Sure, the
above example was a giveaway considering I was just playing with
the end of a scale, but when using tab, transposing solos just became
a lot more complicated.
Come
to your practices prepared and ready to go. If your band wants you
to do your best solo in another key, just put it through this baby
and you're all set. Click
here to download it and get more information.
The
second site I recommend is called www.transposer.com.
They charge a small fee for access to software that helps you to
transpose and learn how to transpose. Quite simply put, follow the
first few basic instructions and whalah, you have yourself a two
second transposition chart. I think it's an amazing tool for anyone
who plays with non c-based instruments such as a trumpet or sax.
You
can even make one yourself. This is not a new concept. Some of my
instructors used to do that all the time to teach us how to transpose.
Cut out a few wheels and insert the various information that can
be found throughout the net. It's worth the research!
So
you're a theory nut eh?
Ok,
hold on to your seatbelts... We're going all the way on the accelerator
here! Yes, I know that was a lame excuse to try and get you all
pumped up for transposition the traditional way but it's really
not that hard, it's so easy in fact, that I actually get excited
about teaching it.
There's
some things you must already know but I'm not going to go through
them all in this lesson. You should know your key signatures (circle
of fifths), your basics notes and what accidentals are all about.
This all leads up to knowing how to decide what key any song is
in. This is essential to knowing how to transpose(more on this in
a moment). This is just the background to help you out and only
takes an hour or so to learn about and weeks of practice to know.
The
steps to transposition involving a change of a Major key using
music theory are as follows:
Before
anything happens and before you decide to do anything, remember
to take a look at your key signature! You want to know what
key you are in so you know exactly where you are going. This
is no problem provided it's already given but if a song is written
without a key signature shown, look at the number of accidentals
and pick the appropriate key.
Secondly,
you must know the key that your are transposing to. You would
think this is the most obvious but you would be surprised at
how many people have no idea what they are supposed to transpose
to. If in a formal setting, just ask whoever is in charge and
take it from there. Watch for the wording as well. In many cases
they will ask you to transpose in the terms of intervals instead
of yelling out the key (in any professional setting this is
common place.)
Insure
that you take the time to fill out the new staff with the appropriate
information such as the new key signature and double bar ending.
Look
at the interval size and remember it as you move each note up
or down the right distance. Insure that you do this by letter
name only, it's an important thing to remember. This just means
that you use the letter names when moving things around. It
insures that you don't mess this up and get confused with the
interval size and make things easier. Remember your intervals
and their equivalents and you'll be fine. You will soon see
a pattern to follow and you are off to the races.
Now
that you've done all the hard work (if you can call it that),
you have one last stop before playing freedom. Insure that everything
is where it should be and transfer any original accidentals
to the new corresponding notes. You will need to pick an accidental
that has the same effect for the new note. This is due to the
new key signature which changes things around. It's not as hard
as it sounds. Just pick the one that will match the same sound
as the one before.
Transposing
from a minor to a minor key should create no new problems, just
ensure that both keys are indeed minor.
Practice
does make perfect, as corny as that is to hear. It takes time and
patience. Don't beat yourself up over it, just enjoy it and you'll
see new changes everyday you try it out. Practicing your alphabet
from A to G and going back and forth in your head also is a great
thing to know and is what always helped me out.
There
are many other forms of transposition that we'll save for another
day... Or perhaps another site. For instance, there become new rules
when dealing with an orchestral score, although it's along the same
lines as what's shown above. The same can be said for switching
from a major key to a minor, although it's not technically a transposition
because it's a mode change. Anyhow, a lot left to learn but these
tools should get you off the ground and on your way.
It's
all you need right now for parts involving c-based instruments (like
your guitar, the piano, the flute or other various instruments.)
Putting
It All Together
So
now that you have the tools, how about you see what they look like
in action? Here is a before and after shot of a riff I've made especially
for you. Notice what happens with accidentals. If you follow the
steps listed above, you should get something looking like this:
Riff
in the key of A:
Transpose
UP to the key of G.
Riff
in the key of G:
WRITTEN
BY GUITAR TIPS
If you've always wanted to learn to play the guitar but
never had the chance, give me 17 minutes a day for 90 days
and I'll show you how to play virtually any song you want!
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